174/365
173/365: Lamb of God live at Zeche Bochum.
Some killer riffing, drumming and screaming paired with some jumping, head-banging and circle-pitting made for a fantastic night! Simon, Nicole and I very much enjoyed ourselves.
172/365
171/365: The Skazka Orchestra live at Folkerdey 2015, Ratingen.
170/365: I’m not what you’d call “a car person”, but somehow I have a thing for the design of classic (or maybe just old?) cars.
169/365: Nicole cooked a delicious asparagus-salmon pasta.
168/365: Beschissen!
167/365: Ola Gasidlo talking about “Offline First”-development at today’s Webworker NRW meetup.
166/365: Ein Besuch im Schauspielhaus.
Heute waren Nicole und ich mit meiner Mutter im Schauspielhaus und haben uns Henrik Ibsens “Baumeister Solness”-Aufführung angesehen.
Das zweistündige Stück war äußerst kurzweilig und sehr unterhaltsam. Empfehlenswert!
165/365: Back home taking photos of plants.
And trying out the 1-hour-photo app.
164/365: My late step-grandfather’s watch.
The day after the funeral service, we visited my step-grandmother again. She gave me his watch as a keepsake. It’s a limited watch with an original brick (from approx. AD 1120) of the Freiburg Minster.
163/365: At the funeral service of my step-grandfather.
Late last week, my step-grandfather Heiner died.
He had needed constant home-care for many years, but it suddenly got worse the week before that. And then everything went pretty quickly.
He was eighty years old.
I’m very glad, me and the rest of the family all went down to Freiburg last March to celebrate his 80th birthday with him. He and my step-grandmother (my father’s biological parents both died when he was little) were visibly touched that we all came. Because before that I haven’t seen them in eight years.
Rest in peace, Heiner!
162/365: A cloud. Seen from the Autobahn.
161/365: “Es gibt ein Leben nach dem Tod. Es ist die Hölle und der Himmel.”
So lange wie der Kerl an dem einzig funktionierenden Geldautomaten verbracht hat, kommt der garantiert in die Hölle.
160/365: A handrail. I liked the lighting and tones.